Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 7
Sivu 11
... complete in their own achieved finality . This is in striking contrast to the nineteenth - century poet's increasing absorption in the sources of his own art as his own main poetic theme . . . [ in his ] attempts to engulf the world in ...
... complete in their own achieved finality . This is in striking contrast to the nineteenth - century poet's increasing absorption in the sources of his own art as his own main poetic theme . . . [ in his ] attempts to engulf the world in ...
Sivu 14
... complete almost child - like liberation of artifice from the constraints of content , logic , and the mimetic function of art . Parody is no longer a decorative device , but a whole new mode of perception ; and the star of the show is ...
... complete almost child - like liberation of artifice from the constraints of content , logic , and the mimetic function of art . Parody is no longer a decorative device , but a whole new mode of perception ; and the star of the show is ...
Sivu 48
... complete reversal : the author's voice is subordinated to the epic whole . This has been made possible by a major shift in emphasis ; in Pan Tadeusz collectivity prevails over romantic subjectivity , and society emerges as the hero ...
... complete reversal : the author's voice is subordinated to the epic whole . This has been made possible by a major shift in emphasis ; in Pan Tadeusz collectivity prevails over romantic subjectivity , and society emerges as the hero ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia