Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 19
Sivu 3
... definition in terms of society , and self - identification in terms of the individual . 916 Romantic art can be ... defined as the solitary individual's quest for harmony , unity , and value in an open and contradictory universe ...
... definition in terms of society , and self - identification in terms of the individual . 916 Romantic art can be ... defined as the solitary individual's quest for harmony , unity , and value in an open and contradictory universe ...
Sivu 39
... defined . Like a Shakespearian comedy , it is full of plots and sub - plots , but these all serve to reinforce the same network of motifs . In many ways , Pan Tadeusz might be toyed with as a series of variations on the Odyssey , rather ...
... defined . Like a Shakespearian comedy , it is full of plots and sub - plots , but these all serve to reinforce the same network of motifs . In many ways , Pan Tadeusz might be toyed with as a series of variations on the Odyssey , rather ...
Sivu 49
... define artificially a microcosm which excluded the dialectical process and progress of history in which he believed ... defined and finite , and there is a mutual refraction of narrator and characters ; each is shaped by the other . In ...
... define artificially a microcosm which excluded the dialectical process and progress of history in which he believed ... defined and finite , and there is a mutual refraction of narrator and characters ; each is shaped by the other . In ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia