Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 7
Sivu 33
... emotional - expressive structure of romanticism . " 31 His treatment of these polarities differs significantly from Pushkin's ; except in fairly obvious cases of parody , Mickiewicz commits himself to the mental atti- tudes associated ...
... emotional - expressive structure of romanticism . " 31 His treatment of these polarities differs significantly from Pushkin's ; except in fairly obvious cases of parody , Mickiewicz commits himself to the mental atti- tudes associated ...
Sivu 76
... emotional purgation of its audience . The specific purpose he assigns to any genre , however , is of less concern than his account of how an " objective artifact , " which makes no intel- lectual argument and deals with no real events ...
... emotional purgation of its audience . The specific purpose he assigns to any genre , however , is of less concern than his account of how an " objective artifact , " which makes no intel- lectual argument and deals with no real events ...
Sivu 82
... emotional , " " exterior , " " Establishmentar- ian , " and " Victorian . " The first set of modifiers describes in abstract terms what Eliot presents concretely , and somewhat startlingly , in the character of J. Alfred Prufrock ...
... emotional , " " exterior , " " Establishmentar- ian , " and " Victorian . " The first set of modifiers describes in abstract terms what Eliot presents concretely , and somewhat startlingly , in the character of J. Alfred Prufrock ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia