Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Sivu 91
... force at Las Chivas ) that she has wanted all along ; Sweeney , like Orestes , is chased by justice - seeking Furies into the arms of salvation he never envisioned . For Eliot ( as for most Classicists ) , improvement comes only through ...
... force at Las Chivas ) that she has wanted all along ; Sweeney , like Orestes , is chased by justice - seeking Furies into the arms of salvation he never envisioned . For Eliot ( as for most Classicists ) , improvement comes only through ...
Sivu 92
... force , and its hatred for the world of men . In short , we know only that Lawrence's " something " is not the Judaeo- Christian God of Love , decidedly not the God to whom Flora Manby and Dean Vyner pay lip - service . While the ...
... force , and its hatred for the world of men . In short , we know only that Lawrence's " something " is not the Judaeo- Christian God of Love , decidedly not the God to whom Flora Manby and Dean Vyner pay lip - service . While the ...
Sivu 93
... force " of Lawrence than to the God of Dean Vyner . Eliot emphasizes the characteristics of the Christian God which Lawrence attributes to his " force " ; in " The Dry Salvages , " we are reminded of His mystery , wrath , eternity , and ...
... force " of Lawrence than to the God of Dean Vyner . Eliot emphasizes the characteristics of the Christian God which Lawrence attributes to his " force " ; in " The Dry Salvages , " we are reminded of His mystery , wrath , eternity , and ...
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The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia