Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 26
Sivu 12
... heroes , the Captive of the Caucasus , Aleko of " The Gyp- sies , " and Eugene Onegin are all " halfway men ... hero finds himself trapped in a world with- out perceptible meaning , and is unable to generate it himself . Finally ...
... heroes , the Captive of the Caucasus , Aleko of " The Gyp- sies , " and Eugene Onegin are all " halfway men ... hero finds himself trapped in a world with- out perceptible meaning , and is unable to generate it himself . Finally ...
Sivu 48
... hero could always be classified as a Mickiewiczan alter - ego , and very little distance was maintained between the author , the narrator , and the hero . In Pan Tadeusz there is a complete reversal : the author's voice is subordinated ...
... hero could always be classified as a Mickiewiczan alter - ego , and very little distance was maintained between the author , the narrator , and the hero . In Pan Tadeusz there is a complete reversal : the author's voice is subordinated ...
Sivu 49
... hero would be out of place within this scheme . The ear- lier transfiguration heroes all enacted a variation on his personal process of penance and rebirth . However , there are two limited alter - egos : Jacek - Robak , a prophetic ...
... hero would be out of place within this scheme . The ear- lier transfiguration heroes all enacted a variation on his personal process of penance and rebirth . However , there are two limited alter - egos : Jacek - Robak , a prophetic ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
8 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia