Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 7
Sivu 42
... ideal ! Not everything that is beautiful can be painted ! You'll find out about all of this from books , in your own time . The last line of the speech reminds us of the influence of books on Pushkin's characters . The Count has this in ...
... ideal ! Not everything that is beautiful can be painted ! You'll find out about all of this from books , in your own time . The last line of the speech reminds us of the influence of books on Pushkin's characters . The Count has this in ...
Sivu 67
... Ideal Classicism " and " Standard Classicism " in order to explain the discrepancy between the Classic and the neo - Classical achievement . Much of the neo - Classical production and that of its predecessor , the seventeenth century ...
... Ideal Classicism " and " Standard Classicism " in order to explain the discrepancy between the Classic and the neo - Classical achievement . Much of the neo - Classical production and that of its predecessor , the seventeenth century ...
Sivu 70
... ideal prevented them from achieving complete Classicism , so the Romantics could not correct the errors of neo - Classicism because of their own revolutionary ardor . The process by which a civilization approaches the Classic ideal is a ...
... ideal prevented them from achieving complete Classicism , so the Romantics could not correct the errors of neo - Classicism because of their own revolutionary ardor . The process by which a civilization approaches the Classic ideal is a ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia