Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 12
Sivu 15
Monika A. Dudli. Objectivity and subjectivity , imitation of reality and excrescence of mind , spontaneity and poetic convention simply coexist : neither half of each dicho- tomy can claim to be the " true form " of Eugene Onegin ; the ...
Monika A. Dudli. Objectivity and subjectivity , imitation of reality and excrescence of mind , spontaneity and poetic convention simply coexist : neither half of each dicho- tomy can claim to be the " true form " of Eugene Onegin ; the ...
Sivu 75
... imitation of an action that is complete in itself . " In order to make the work of art independent , Aristotle first ... imitate or represent it : 21 All human happiness or misery takes the form of action ; the end for which we live is a ...
... imitation of an action that is complete in itself . " In order to make the work of art independent , Aristotle first ... imitate or represent it : 21 All human happiness or misery takes the form of action ; the end for which we live is a ...
Sivu 96
... imitation can be excluded before- hand from the domain of creation . The crux is not imitation itself but its pedestrian uses ; it is not incompatible with originality . " ( " The Classical Style in Modern Art , " in Oates , op . cit ...
... imitation can be excluded before- hand from the domain of creation . The crux is not imitation itself but its pedestrian uses ; it is not incompatible with originality . " ( " The Classical Style in Modern Art , " in Oates , op . cit ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia