Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 19
Sivu 2
... individual self both to itself and to its society , that is , to the sources of its value , and its compensation , or over- compensation , for any shifts in this relation . The crisis at the turn of the eighteenth century arose from a ...
... individual self both to itself and to its society , that is , to the sources of its value , and its compensation , or over- compensation , for any shifts in this relation . The crisis at the turn of the eighteenth century arose from a ...
Sivu 3
... individual mind ? If , as British empiricists declared , there was absolutely no way for the intellect and the external world to make contact , then the individual was trapped in his own unverified subjectivity . Hence the paradox of ...
... individual mind ? If , as British empiricists declared , there was absolutely no way for the intellect and the external world to make contact , then the individual was trapped in his own unverified subjectivity . Hence the paradox of ...
Sivu 98
... Individual Talent " ( 1918 ) to " The Frontiers of Criticism " ( 1956 ) . 37. Grover Smith , for instance , notes that Eliot sometimes signed his name , " T. Stearns Eliot , " and he concludes that " The Love Song of J. Alfred Prufrock ...
... Individual Talent " ( 1918 ) to " The Frontiers of Criticism " ( 1956 ) . 37. Grover Smith , for instance , notes that Eliot sometimes signed his name , " T. Stearns Eliot , " and he concludes that " The Love Song of J. Alfred Prufrock ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia