Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 9
Sivu 16
... lines so that they are seldom seen as clearly consisting of two couplets and a closed quatrain . The matter is of more than peripheral or purely formal interest . Signifi- cantly , during the process of composition , Pushkin actually ...
... lines so that they are seldom seen as clearly consisting of two couplets and a closed quatrain . The matter is of more than peripheral or purely formal interest . Signifi- cantly , during the process of composition , Pushkin actually ...
Sivu 29
... lines seem to strain perceptibly toward growth and activity , and its emphatically stressed final syllables almost demand an exclamation point ; the second four lines suggest a completely different re- sponse on the part of the poet to ...
... lines seem to strain perceptibly toward growth and activity , and its emphatically stressed final syllables almost demand an exclamation point ; the second four lines suggest a completely different re- sponse on the part of the poet to ...
Sivu 98
... line 411 of The Waste Land . Eliot writes ( in The Use of Poetry and the Use of Criticism , p . 100 ) that such Romantics are to be counted among " the number of the great heretics of all times . " 42. George Saintsbury , A Short ...
... line 411 of The Waste Land . Eliot writes ( in The Use of Poetry and the Use of Criticism , p . 100 ) that such Romantics are to be counted among " the number of the great heretics of all times . " 42. George Saintsbury , A Short ...
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Pan Tadeusz and the Epic Tradition | 33 |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia