Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 30
Sivu 3
... mind ? If , as British empiricists declared , there was absolutely no way for the intellect and the external world to make contact , then the individual was trapped in his own unverified subjectivity . Hence the paradox of the ...
... mind ? If , as British empiricists declared , there was absolutely no way for the intellect and the external world to make contact , then the individual was trapped in his own unverified subjectivity . Hence the paradox of the ...
Sivu 34
... mind that Mickiewicz has given physical reality to a well - ordered dream , to artifice on a grand scale . The closest analogue that comes to mind is Walter Scott , who was admired by both poets but absorbed only by Mickiewicz . Pushkin ...
... mind that Mickiewicz has given physical reality to a well - ordered dream , to artifice on a grand scale . The closest analogue that comes to mind is Walter Scott , who was admired by both poets but absorbed only by Mickiewicz . Pushkin ...
Sivu 78
... mind is an objective truth which is knowable through sense and right reason ) and it is from this rejection that most of the distinctive ( read : mannerist ) characteristics of Romanticism derive.25 Repulsed by the external world , over ...
... mind is an objective truth which is knowable through sense and right reason ) and it is from this rejection that most of the distinctive ( read : mannerist ) characteristics of Romanticism derive.25 Repulsed by the external world , over ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
8 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia