Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 11
Sivu 17
... narrator's reminiscences ; how the narrator's garrulous digression on friendship provides a bitter background for the slow , inevitable enactment of the duel . Each poetic experience , like each stanza , is in a certain sense , discrete ...
... narrator's reminiscences ; how the narrator's garrulous digression on friendship provides a bitter background for the slow , inevitable enactment of the duel . Each poetic experience , like each stanza , is in a certain sense , discrete ...
Sivu 35
... narrator is present from the beginning , but his persona is somewhat different , certainly less salient ; he is the genial host , but with a dis- tance and propriety , and even a certain lack of individualization , that tend to remove ...
... narrator is present from the beginning , but his persona is somewhat different , certainly less salient ; he is the genial host , but with a dis- tance and propriety , and even a certain lack of individualization , that tend to remove ...
Sivu 49
... narrator is no longer a protagonist , but a formal unifying device , an ironic but sympathetic commentator who can reconcile con- flicting elements because he is not involved with them . A Mickiewiczan hero would be out of place within ...
... narrator is no longer a protagonist , but a formal unifying device , an ironic but sympathetic commentator who can reconcile con- flicting elements because he is not involved with them . A Mickiewiczan hero would be out of place within ...
Sisältö
The Crisis of the European Conscience | 1 |
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Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia