Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 21
Sivu 31
... never understood each other and do not do so now . . . . He is forced to contemplate , like a mirror - image , his own insulation in another person . ' 22 , 30 In one of the most beautiful stanzas in the poem , the old Tatyana is ...
... never understood each other and do not do so now . . . . He is forced to contemplate , like a mirror - image , his own insulation in another person . ' 22 , 30 In one of the most beautiful stanzas in the poem , the old Tatyana is ...
Sivu 82
... never was much interested in character analy- sis ( his personae have been termed " zones of consciousness , " " magnetic es- sences , " and " polished surfaces " ) , so that any apparent portrait is subject to evaluation as a complex ...
... never was much interested in character analy- sis ( his personae have been termed " zones of consciousness , " " magnetic es- sences , " and " polished surfaces " ) , so that any apparent portrait is subject to evaluation as a complex ...
Sivu 91
... never envisioned . For Eliot ( as for most Classicists ) , improvement comes only through the felix culpa : or , in the language of Aeschylus , " Zeus has ordained it that wisdom comes alone through suffering . " Eliot writes that ...
... never envisioned . For Eliot ( as for most Classicists ) , improvement comes only through the felix culpa : or , in the language of Aeschylus , " Zeus has ordained it that wisdom comes alone through suffering . " Eliot writes that ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
8 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia