Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 19
Sivu 2
... orientation , the way his mind had learned to impose order on the world around it , and the increasingly discrepant reality of his perceptions . This is a kind of cultural identity crisis , but felt and enacted on the level of each ...
... orientation , the way his mind had learned to impose order on the world around it , and the increasingly discrepant reality of his perceptions . This is a kind of cultural identity crisis , but felt and enacted on the level of each ...
Sivu 13
... orientation , " he declares his allegiance to the romantic elegy or seats an indecorous peasant on the martyred poet's grave . Just as we are about to censure Pushkin for the facile conventionality of his rhyme , he beats us to it 13 ...
... orientation , " he declares his allegiance to the romantic elegy or seats an indecorous peasant on the martyred poet's grave . Just as we are about to censure Pushkin for the facile conventionality of his rhyme , he beats us to it 13 ...
Sivu 38
... oriented in the past , and not just the historical past , but in the Gol- den Age . The Golden Age is a theme which has , for better or for worse , haunted man throughout his civilized history . A necessary ingredient for the ...
... oriented in the past , and not just the historical past , but in the Gol- den Age . The Golden Age is a theme which has , for better or for worse , haunted man throughout his civilized history . A necessary ingredient for the ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia