Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 9
Sivu 11
... pattern on his art , he left for his successors a number of open rather than closed doors , of experiments and possibilities rather than resolutions . It is for this reason that such a diversity of later writers ( Gogol , Tolstoy , Dos ...
... pattern on his art , he left for his successors a number of open rather than closed doors , of experiments and possibilities rather than resolutions . It is for this reason that such a diversity of later writers ( Gogol , Tolstoy , Dos ...
Sivu 16
... pattern ( a clean - cut sonorous elegiac quatrain ) and the terminal one ( a couplet resembling the coda of an octave or that of a Shakespearian sonnet ) can be compared to patterns on a painted ball or top that are visible at the ...
... pattern ( a clean - cut sonorous elegiac quatrain ) and the terminal one ( a couplet resembling the coda of an octave or that of a Shakespearian sonnet ) can be compared to patterns on a painted ball or top that are visible at the ...
Sivu 34
... pattern which emerges from the final restoration of equilibrium and reaffir- mation of life in marriage and laughter . One of our key words in dealing with Pushkin was " artifice , " and yet in the end we arrived at the somewhat ...
... pattern which emerges from the final restoration of equilibrium and reaffir- mation of life in marriage and laughter . One of our key words in dealing with Pushkin was " artifice , " and yet in the end we arrived at the somewhat ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia