Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 13
Sivu 34
... physical identity and especially their social roles . One might make an analogy with Shakespearian comedy : it is not so much the indi- vidual plots and sub - plots , the misguided alliance of Tadeusz and Telimena or the self - renewing ...
... physical identity and especially their social roles . One might make an analogy with Shakespearian comedy : it is not so much the indi- vidual plots and sub - plots , the misguided alliance of Tadeusz and Telimena or the self - renewing ...
Sivu 50
... physical reality over the noumenal : for the first time in his work , physical and spiritual health are synonymous . Pushkin holds two basic attitudes toward nature . One involves nothing more than a detached aesthetic appreciation . On ...
... physical reality over the noumenal : for the first time in his work , physical and spiritual health are synonymous . Pushkin holds two basic attitudes toward nature . One involves nothing more than a detached aesthetic appreciation . On ...
Sivu 76
... physical , emotional , imaginative , and intellectual faculties comprise a unified animus , which carries on two fundamental types of activity : the physical ( " local movement " ) and the non - physical ( " perception " ) . Local ...
... physical , emotional , imaginative , and intellectual faculties comprise a unified animus , which carries on two fundamental types of activity : the physical ( " local movement " ) and the non - physical ( " perception " ) . Local ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia