Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 17
Sivu 2
... relation of the individual self both to itself and to its society , that is , to the sources of its value , and its compensation , or over- compensation , for any shifts in this relation . The crisis at the turn of the eighteenth ...
... relation of the individual self both to itself and to its society , that is , to the sources of its value , and its compensation , or over- compensation , for any shifts in this relation . The crisis at the turn of the eighteenth ...
Sivu 34
... relation to Pushkin , we were actually re- ferring , as his contemporaries often did , to the French neo - classical writers of the seventeenth and eighteenth centuries . With Pan Tadeusz we tend to think back further , to the epics of ...
... relation to Pushkin , we were actually re- ferring , as his contemporaries often did , to the French neo - classical writers of the seventeenth and eighteenth centuries . With Pan Tadeusz we tend to think back further , to the epics of ...
Sivu 89
... relation to the ultimate . For Eliot , post - war London is Unreal City and , for Lawrence , it is " a sort of dark ... relations with the spiritual power . He symbolically dies to be spiritually reborn . The pattern holds for Eliot and ...
... relation to the ultimate . For Eliot , post - war London is Unreal City and , for Lawrence , it is " a sort of dark ... relations with the spiritual power . He symbolically dies to be spiritually reborn . The pattern holds for Eliot and ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia