Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 24
Sivu 16
... seems to provide the most effort- less meeting - ground for the different pulsations or dualisms in his art . Each stanza seems to re - enact , on a miniature scale , in synecdoche as it were , the dia- lectical ( though never final ) ...
... seems to provide the most effort- less meeting - ground for the different pulsations or dualisms in his art . Each stanza seems to re - enact , on a miniature scale , in synecdoche as it were , the dia- lectical ( though never final ) ...
Sivu 38
... seems to be nostalgia ; there has probably never been a Golden Age described by people who were actually experiencing it , or who had irrevocably lost it . Rather , it seems to appear as an image of the past which incarnates the future ...
... seems to be nostalgia ; there has probably never been a Golden Age described by people who were actually experiencing it , or who had irrevocably lost it . Rather , it seems to appear as an image of the past which incarnates the future ...
Sivu 64
... seems to have restored something of the Classical standards of eighteenth - century England or of seventeenth century France or of thirteenth - century Florence- but things are not always what they seem . Wilson's caveat is more helpful ...
... seems to have restored something of the Classical standards of eighteenth - century England or of seventeenth century France or of thirteenth - century Florence- but things are not always what they seem . Wilson's caveat is more helpful ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia