Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 13
Sivu 31
... structure of the novel as Eugene's and Tatyana's are . ,, 29 Tatyana's reappearance is a shock . If morality resides in the nature of things , how can her nature have been transformed so completely , so irrevoca- bly ? Pushkin carefully ...
... structure of the novel as Eugene's and Tatyana's are . ,, 29 Tatyana's reappearance is a shock . If morality resides in the nature of things , how can her nature have been transformed so completely , so irrevoca- bly ? Pushkin carefully ...
Sivu 33
... structure of the Renaissance , Baroque , and En- lightenment , and the emotional - expressive structure of romanticism . " 31 His treatment of these polarities differs significantly from Pushkin's ; except in fairly obvious cases of ...
... structure of the Renaissance , Baroque , and En- lightenment , and the emotional - expressive structure of romanticism . " 31 His treatment of these polarities differs significantly from Pushkin's ; except in fairly obvious cases of ...
Sivu 38
... structure , style , and language as well as its subject - matter . In contrast to the simplicity of Eugene Onegin , Mickiewicz's plot bustles with an activity which is much more physical , historical and geographical , than ...
... structure , style , and language as well as its subject - matter . In contrast to the simplicity of Eugene Onegin , Mickiewicz's plot bustles with an activity which is much more physical , historical and geographical , than ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia