Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 21
Sivu 23
... thought , but a unity defined by the formal boundaries of the poem ; unlike other Romantics , he does not have to inhabit his created world for it - or him - to exist . Each has its own mainspring of value . The end of each chapter is a ...
... thought , but a unity defined by the formal boundaries of the poem ; unlike other Romantics , he does not have to inhabit his created world for it - or him - to exist . Each has its own mainspring of value . The end of each chapter is a ...
Sivu 27
... thoughts the figure of Eugene begins to re - emerge , when suddenly Pushkin cuts his own transition short with a ... thought of as a parody of the sentimental elegy , such as Zhukovsky's " Sel'skoje Kladbisce , " in which a graveyard ...
... thoughts the figure of Eugene begins to re - emerge , when suddenly Pushkin cuts his own transition short with a ... thought of as a parody of the sentimental elegy , such as Zhukovsky's " Sel'skoje Kladbisce , " in which a graveyard ...
Sivu 95
... thought where the event reveals another , paradigmatic meaning . " In other words , the Classicist is not interested in individual real things , but in Reality . Brendel's observation appears in Whitney J. Oates's From Sophocles to ...
... thought where the event reveals another , paradigmatic meaning . " In other words , the Classicist is not interested in individual real things , but in Reality . Brendel's observation appears in Whitney J. Oates's From Sophocles to ...
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Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia