English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries).Edmund David Jones Oxford University Press, 1952 - 394 sivua |
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Tulokset 1 - 3 kokonaismäärästä 57
Sivu 115
... action , says Corneille , that is , one complete action , which leaves the mind of the audience in a full repose ; but this cannot be brought to pass but by many other im- perfect actions , which conduce to it , and hold the audience in ...
... action , says Corneille , that is , one complete action , which leaves the mind of the audience in a full repose ; but this cannot be brought to pass but by many other im- perfect actions , which conduce to it , and hold the audience in ...
Sivu 136
... action on the stage ; every alteration or crossing of a design , every new - sprung passion and turn of it , is a part of the action , and much the noblest , except we conceive nothing to be action till the players come to blows ; as if ...
... action on the stage ; every alteration or crossing of a design , every new - sprung passion and turn of it , is a part of the action , and much the noblest , except we conceive nothing to be action till the players come to blows ; as if ...
Sivu 240
... action which it relates is more or less so . This action should have three qualifications in it . First , it should be but one action . Secondly , it should be an entire action ; and thirdly , it should be a great action . To consider the ...
... action which it relates is more or less so . This action should have three qualifications in it . First , it should be but one action . Secondly , it should be an entire action ; and thirdly , it should be a great action . To consider the ...
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SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written