English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries).Edmund David Jones Oxford University Press, 1952 - 394 sivua |
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Sivu 202
... imitation of Nature . That the instrument with which it makes its imitation is speech need not be disputed . That that speech must be musical no one can doubt : for numbers distinguish the parts of poetic diction from the periods of ...
... imitation of Nature . That the instrument with which it makes its imitation is speech need not be disputed . That that speech must be musical no one can doubt : for numbers distinguish the parts of poetic diction from the periods of ...
Sivu 273
... imitations are of quicker growth , but fainter bloom . Imitations are of two kinds : one of nature , one of authors . The first we call originals , and confine the term imitation to the second . I shall not enter into the curious ...
... imitations are of quicker growth , but fainter bloom . Imitations are of two kinds : one of nature , one of authors . The first we call originals , and confine the term imitation to the second . I shall not enter into the curious ...
Sivu 277
... imitate Homer , or depart from Nature . Not so : for suppose you was to change place , in time , with Homer ; then , if you write naturally , you might as well charge Homer with an imitation of you . Can you be said to imitate Homer for ...
... imitate Homer , or depart from Nature . Not so : for suppose you was to change place , in time , with Homer ; then , if you write naturally , you might as well charge Homer with an imitation of you . Can you be said to imitate Homer for ...
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SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written