Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy

Etukansi
University of California Press, 1.9.2023 - 314 sivua
This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history.

Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts t
 

Sisältö

MUSSOLINIS AESTHETIC POLITICS
15
From Art to Violence
26
MUSSOLINI THE MYTH
42
Mussolini in the Culture of Personality
45
Mussolini and the Party
56
The Deification of Mussolini
64
THE POLITICS OF SYMBOLS FROM CONTENT TO FORM
89
The Myth of Rome
90
Mimetic Economy
129
Spectacle and Desire
139
WAR AND MELODRAMA
148
The Politics of Land
149
The Politics of War
162
CONCLUSIONS
183
Notes
195
Bibliography
267

The Discourse on Style
100
BODILY ECONOMY CORPORATIVISM AND CONSUMPTION
119
Disembodying the Body
120
MaterialConsumption
125
Photograph Credits
295
Index
297
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Suositut otteet

Sivu 9 - War is beautiful because it establishes man's dominion over the subjugated machinery by means of gas masks, terrifying megaphones, flame throwers, and small tanks. War is beautiful because it initiates the dreamt-of metallization of the human body.
Sivu 30 - Proletarian violence, carried on as a pure and simple manifestation of the sentiment of the class war, appears thus as a very fine and very heroic thing; it is at the service of the immemorial interests of civilisation; it is not perhaps the most appropriate method of obtaining immediate material advantages, but it may save the world from barbarism.
Sivu 9 - War is beautiful because it initiates the dreamt-of metalization of the human body. War is beautiful because it enriches a flowering meadow with the fiery orchids of machine guns. War is beautiful because it combines the gunfire, the cannonades, the cease-fire, the scents, and the stench of putrefaction into a symphony.
Sivu 25 - Fascism is a religious conception in which man is seen in his immanent relationship with a superior law and with an objective Will that transcends the particular individual and raises him to conscious membership of a spiritual society.

Tietoja kirjailijasta (2023)

Simonetta Falasca-Zamponi is Assistant Professor of Sociology, University of California, Santa Barbara.

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