Yale University Press, 2008 - 208 sivua
On Eloquence questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake. He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take. Donoghue argues persuasively that eloquence matters, that we should indeed care about it. Because we should care about any instances of freedom, independence, creative force, sprezzatura, he says, especially when we liveperhaps this is increasingly the casein a culture of the same, featuring official attitudes, stereotypes of the officially enforced values, sedated language, a politics of pacification. A noteworthy addition to Donoghues long-term project to reclaim a disinterested appreciation of literature as literature, this volume is a wise and pleasurable meditation on eloquence, its unique ability to move or give pleasure, and its intrinsic value.
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On eloquenceKäyttäjän arvio - Not Available - Book Verdict
Donoghue (English, NYU; Speaking of Beauty) has fashioned a well-written and engaging exploration of eloquence in literature. He defines eloquence and the role it plays in culture as follows: "The ... Lue koko arvostelu
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Adorno Aeneas agile with temporal Augustine’s Bartleby Bartleby’s Blackmur blue Browne’s Burke’s Cambridge catachresis chapter claim Collected Poems context culture Dante Dante’s death Derrida Dido Donne English Language Essays expression feeling Finnegans Wake Flaubert Geoffrey Hill gesture gives God’s Guy Davenport Gweneth Hugh Kenner human Husserl’s Hydriotaphia Ibid imagination John John Donne Kenneth Burke King knock Lady Macbeth last line Latin Literature live London Madame Bovary means mind modern one’s Ophelia Oxford passion phrase play pleasure poet poetry Professor Hogan prose quence R. P. Blackmur reading reason rhetoric rhyme rhythm seems sense sentence Shakespeare silence song without words soul sounds speak speech story style syllable T. S. Eliot take the train talk temporal intervals things thought tion trans translation tree University Press verbal W. B. Yeats Whisper’d William Empson Woolf writing Yeats Yeats’s