British Drama, 1660-1779: A Critical HistoryTwayne Publishers, 1995 - 282 sivua The development of this drama over 119 years is the subject of Frances M. Kavenik's British Drama, 1660-1779: A Critical History, a fascinating account of the people and events shaping the genre during the period. Approaching her subject from a popular culture perspective, Kavenik argues that the drama produced in these years was the most innovative since Shakespeare's time, giving rise to such forms as the musical and the situation comedy. A comprehensive first chapter describes the theaters, stage apparatus, playwrights, performers, audiences, and critics of the period, while four chronologically arranged chapters detail key developments during each subperiod. The Lincoln's Inn Fields and Drury Lane theaters, the Licensing Act of 1737, legendary figures like Nell Gwyn and David Garrick, the growth of the periodical press as a medium for dramatic criticism, the popularity of productions like John Gay's The Beggar's Opera and Aphra Behn's The Rover - these and much more are brought vividly to life for readers, as is Kavenik's theme that "late seventeenth- and eighteenth-century comedies, heroic plays, tragicomedies, and tragedies were the genre films and soap operas of their day, enthralling their audiences and speaking to their needs and desires, offering entertainment, excitement, and escape. They also were capable ... of creating or reforming their audiences' needs and desires". |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 6
Sivu 122
... observe such a similitude of manners in high and low life , that it is difficult to determine whether ( in the fashionable vices ) the fine gentlemen imitate the gentlemen of the road , or the gentlemen of the road the fine gentlemen ...
... observe such a similitude of manners in high and low life , that it is difficult to determine whether ( in the fashionable vices ) the fine gentlemen imitate the gentlemen of the road , or the gentlemen of the road the fine gentlemen ...
Sivu 143
... observe your Letter - Sir , I'll attend you . ( 4.1.134-55 ) Of course , they do not duel ; Bevil Jr. controls his anger and shows Myrtle Lucinda's letter , which reveals that their engagement is a sham and that she is wary of Myrtle's ...
... observe your Letter - Sir , I'll attend you . ( 4.1.134-55 ) Of course , they do not duel ; Bevil Jr. controls his anger and shows Myrtle Lucinda's letter , which reveals that their engagement is a sham and that she is wary of Myrtle's ...
Sivu 178
... observation . If from my temper , my words or ac- tions , you have conceived a thought against me , or even a wish for separation , all that has passed is noth- ing . -- You startle me- But tell me I must be answered first . Is it from ...
... observation . If from my temper , my words or ac- tions , you have conceived a thought against me , or even a wish for separation , all that has passed is noth- ing . -- You startle me- But tell me I must be answered first . Is it from ...
Yleiset termit ja lausekkeet
action actors appeared audience authority becomes Beggar's begins called Carolean changes characters Charles cited in text comedy comic Congreve court Covent critics drama Drury Lane Dryden early effects eighteenth century England English example Farquhar's father female Fielding follow forces Garden Garrick George give given Henry hereafter cited hero heroic human Hume Husband Indian interest Jane John kind Lady late later Licensing lines live London Love Lovers male managers marriage marry Merchant moral nature never offers Opera passion patent performances perhaps period plays playwrights plot points political popular present Press produced published qualities Queen repertory Restoration Richard role satiric scene season Secret seems sense sentimental serious seventeenth sexual shift social society stage success suggests taste theater theatrical Thomas tragedy turn University values Venice Wife women
Viitteet tähän teokseen
Staging Gender in Behn and Centlivre: Women's Comedy and the Theatre Nancy Eileen Copeland Esikatselu ei käytettävissä - 2004 |