British Drama, 1660-1779: A Critical HistoryTwayne Publishers, 1995 - 282 sivua The development of this drama over 119 years is the subject of Frances M. Kavenik's British Drama, 1660-1779: A Critical History, a fascinating account of the people and events shaping the genre during the period. Approaching her subject from a popular culture perspective, Kavenik argues that the drama produced in these years was the most innovative since Shakespeare's time, giving rise to such forms as the musical and the situation comedy. A comprehensive first chapter describes the theaters, stage apparatus, playwrights, performers, audiences, and critics of the period, while four chronologically arranged chapters detail key developments during each subperiod. The Lincoln's Inn Fields and Drury Lane theaters, the Licensing Act of 1737, legendary figures like Nell Gwyn and David Garrick, the growth of the periodical press as a medium for dramatic criticism, the popularity of productions like John Gay's The Beggar's Opera and Aphra Behn's The Rover - these and much more are brought vividly to life for readers, as is Kavenik's theme that "late seventeenth- and eighteenth-century comedies, heroic plays, tragicomedies, and tragedies were the genre films and soap operas of their day, enthralling their audiences and speaking to their needs and desires, offering entertainment, excitement, and escape. They also were capable ... of creating or reforming their audiences' needs and desires". |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 3
Sivu 125
... translations like Bertolt Brecht's Threepenny Opera ( 1928 ) and the 1960s hit song " Mack the Knife . ” Yet despite its freshness and topicality , it was also deeply indebted to the comic and serious repertory of its time . Stripped of ...
... translations like Bertolt Brecht's Threepenny Opera ( 1928 ) and the 1960s hit song " Mack the Knife . ” Yet despite its freshness and topicality , it was also deeply indebted to the comic and serious repertory of its time . Stripped of ...
Sivu 256
... The Sources of John Dryden's Comedies . 1935. Reprint . New York : Gordian Press , 1967. Useful discussion of Dryden's borrowings and translations . Auburn , Mark S. Sheridan's Comedies : Their Contexts and 256 British Drama , 1660–1779.
... The Sources of John Dryden's Comedies . 1935. Reprint . New York : Gordian Press , 1967. Useful discussion of Dryden's borrowings and translations . Auburn , Mark S. Sheridan's Comedies : Their Contexts and 256 British Drama , 1660–1779.
Sivu 263
... translations . Wilson , John Harold . All the King's Ladies : Actresses of the Restoration . Chicago : University of Chicago Press , 1958. An early but still important survey of actresses during the first 30 years after the Restoration ...
... translations . Wilson , John Harold . All the King's Ladies : Actresses of the Restoration . Chicago : University of Chicago Press , 1958. An early but still important survey of actresses during the first 30 years after the Restoration ...
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actors afterpieces audience authority Beggar's Opera Beverley Bevil Jr Carolean comedy Carolean period Celadon characters Charles Cibber cited in text Colley Cibber Colman comic Congreve Congreve's Conscious Lovers contemporary Country-Wife courtship Covent Garden critics Davenant dramatists Drury Lane Dryden eighteenth century Elizabeth Barry England English farce Farquhar female Fielding's Fletcherian Florimell Garrick George Haymarket hereafter cited hero heroic drama heroic plays Hume humorous Husband Jaffeir Jane Shore John Rich Jubilee kind Lady late seventeenth libertine Lincoln's Inn Fields Loftis London Love for Love Macheath male managers marriage marry Merchant Milhous moral Oroonoko pantomime passion patent performances play's playwrights plot political popular plays produced Provoked Wife published rake repertory Restoration Richard Rivals Rothstein Rover satiric scene School for Scandal Secret Love sentimental comedy sexual Shakespeare Sheridan shift social stage Steele's taste theater theatrical Thomas tragedy University Press Valentine Vanbrugh Venice Preserved William Willmore women
Viitteet tähän teokseen
Staging Gender in Behn and Centlivre: Women's Comedy and the Theatre Nancy Eileen Copeland Esikatselu ei käytettävissä - 2004 |