Novel Beginnings: Experiments in Eighteenth-Century English FictionYale University Press, 1.10.2008 - 320 sivua In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course. |
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Tulokset 1 - 5 kokonaismäärästä 27
Sivu 22
... exists in dreadful poverty ; a savior shows up . Blifil gets his comeuppance ; Tom gets his inheritance and his girl . Moreover , one knows from the beginning that everything will come out happily . The pleasure Tom Jones provides ...
... exists in dreadful poverty ; a savior shows up . Blifil gets his comeuppance ; Tom gets his inheritance and his girl . Moreover , one knows from the beginning that everything will come out happily . The pleasure Tom Jones provides ...
Sivu 36
... exists at the same level of dubious plausibility as the physi- cal details. The story itself, consisting mainly of a meticulous account of the various appearances the travelers witness, ends without resolution. Members of the group read ...
... exists at the same level of dubious plausibility as the physi- cal details. The story itself, consisting mainly of a meticulous account of the various appearances the travelers witness, ends without resolution. Members of the group read ...
Sivu 54
... exists. The more adventure the better: that seems to be the assumption of this and similar novels, as of the earliest eighteenth-century examples of the form. Johnstone initially published a two-volume version of his novel. Given its ...
... exists. The more adventure the better: that seems to be the assumption of this and similar novels, as of the earliest eighteenth-century examples of the form. Johnstone initially published a two-volume version of his novel. Given its ...
Sivu 55
... exists primarily for its own sake , for the sake of entertainment , as do many , although by no means all , of the other episodes . Some of the stories Chrysal tells seem designed to make the reader uncomfortable . Moreover , the piling ...
... exists primarily for its own sake , for the sake of entertainment , as do many , although by no means all , of the other episodes . Some of the stories Chrysal tells seem designed to make the reader uncomfortable . Moreover , the piling ...
Sivu 62
... exists on Earth , so long shall he remain upon it " ( 164 ) . Generalization , exaggeration , and simplification can provide tools for the novelist to comment on without specifically imitating the vagaries of individual personality . In ...
... exists on Earth , so long shall he remain upon it " ( 164 ) . Generalization , exaggeration , and simplification can provide tools for the novelist to comment on without specifically imitating the vagaries of individual personality . In ...
Sisältö
28 | |
58 | |
4 Novels of Consciousness | 92 |
5 The Novel of Sentiment | 126 |
6 The Novel of Manners | 160 |
7 Gothic Fiction | 190 |
8 The Political Novel | 222 |
9 Tristram Shandy and the Development of the Novel | 254 |
What Came Next | 276 |
Suggestions for Further Reading | 286 |
Works Cited | 292 |
Index | 298 |
Muita painoksia - Näytä kaikki
Novel Beginnings: Experiments in Eighteenth-Century English Fiction Patricia Meyer Spacks Rajoitettu esikatselu - 2008 |
Novel Beginnings: Experiments in Eighteenth-century English Fiction Patricia Ann Meyer Spacks Esikatselu ei käytettävissä - 2006 |
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action adventure appears behavior Caleb Williams calls attention Camilla century chapter characters claims Clarissa concern consciousness conventions conveys crucial David Simple death declares Defoe despite eighteenth eighteenth-century fiction elaborate Eliza Haywood Emma emotional episodes epistolary novel Evelina experience fact Falkland father feeling female Fielding's first-person narrative Gothic Gothic fiction Gothic novels happenings Haywood Hermsprong heroine human Humphry Clinker husband imagined important individual insists Jones kind lack Lady letters literary Lord Elmwood Lord Orville Love in Excess lover Manley marriage marry Matilda means mind Miss Moll Flanders moral mother narrative narrator narrator's nature novel of development novelists offers Pamela pleasure plot political possibility protagonist provides psychological reader reading realism response Richardson Robinson Crusoe romance Roxana Sarah Fielding sense sensibility sentimental fiction sentimental novels servant sexual Sidney Bidulph social story structure sublime suffering suggests tells tion Tom Jones Tristram Shandy virtue women writers Yorick