Novel Beginnings: Experiments in Eighteenth-Century English FictionYale University Press, 1.10.2008 - 320 sivua In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course. |
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Tulokset 1 - 5 kokonaismäärästä 49
Sivu 2
... imagined by Apuleius, Lucian metamorphosed into an ass and enjoyed marvelous adventures. The ancient Greeks produced romances; so did the Middle Ages, throughout Europe and Asia. By the sixteenth and seventeenth centuries, elaborate ...
... imagined by Apuleius, Lucian metamorphosed into an ass and enjoyed marvelous adventures. The ancient Greeks produced romances; so did the Middle Ages, throughout Europe and Asia. By the sixteenth and seventeenth centuries, elaborate ...
Sivu 5
... imagined and elaborated plots. Drama flourished in the Restora- tion and the early eighteenth century, as it had flourished in the Renais- sance, but its dominant mode had shifted. Now comedy triumphed in the theater — comedy that ...
... imagined and elaborated plots. Drama flourished in the Restora- tion and the early eighteenth century, as it had flourished in the Renais- sance, but its dominant mode had shifted. Now comedy triumphed in the theater — comedy that ...
Sivu 6
... imagined by those existing in rural poverty as a place of infinite opportunity . The enclosure of common land in the country to enlarge the estates of big landholders intensified the neediness of the rural population , and on occasion ...
... imagined by those existing in rural poverty as a place of infinite opportunity . The enclosure of common land in the country to enlarge the estates of big landholders intensified the neediness of the rural population , and on occasion ...
Sivu 13
... imagined characters by no means always resolutely assert their Englishness . The action of Love in Excess takes place in France and Italy ; Jane Barker's many little stories are frequently enacted on the Con- tinent ; Delarivier Manley ...
... imagined characters by no means always resolutely assert their Englishness . The action of Love in Excess takes place in France and Italy ; Jane Barker's many little stories are frequently enacted on the Con- tinent ; Delarivier Manley ...
Sivu 18
... imagining . It may prove useful to sketch at the outset some of the polarities between which novelists might range . I'll start with novelistic pace . Even now , no determinate ideal governs a novelist's choice of pace , and individual ...
... imagining . It may prove useful to sketch at the outset some of the polarities between which novelists might range . I'll start with novelistic pace . Even now , no determinate ideal governs a novelist's choice of pace , and individual ...
Sisältö
28 | |
58 | |
4 Novels of Consciousness | 92 |
5 The Novel of Sentiment | 126 |
6 The Novel of Manners | 160 |
7 Gothic Fiction | 190 |
8 The Political Novel | 222 |
9 Tristram Shandy and the Development of the Novel | 254 |
What Came Next | 276 |
Suggestions for Further Reading | 286 |
Works Cited | 292 |
Index | 298 |
Muita painoksia - Näytä kaikki
Novel Beginnings: Experiments in Eighteenth-Century English Fiction Patricia Meyer Spacks Rajoitettu esikatselu - 2008 |
Novel Beginnings: Experiments in Eighteenth-century English Fiction Patricia Ann Meyer Spacks Esikatselu ei käytettävissä - 2006 |
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action adventure appears behavior Caleb Williams calls attention Camilla century chapter characters claims Clarissa concern consciousness conventions conveys crucial David Simple death declares Defoe despite eighteenth eighteenth-century fiction elaborate Eliza Haywood Emma emotional episodes epistolary novel Evelina experience fact Falkland father feeling female Fielding's first-person narrative Gothic Gothic fiction Gothic novels happenings Haywood Hermsprong heroine human Humphry Clinker husband imagined important individual insists Jones kind lack Lady letters literary Lord Elmwood Lord Orville Love in Excess lover Manley marriage marry Matilda means mind Miss Moll Flanders moral mother narrative narrator narrator's nature novel of development novelists offers Pamela pleasure plot political possibility protagonist provides psychological reader reading realism response Richardson Robinson Crusoe romance Roxana Sarah Fielding sense sensibility sentimental fiction sentimental novels servant sexual Sidney Bidulph social story structure sublime suffering suggests tells tion Tom Jones Tristram Shandy virtue women writers Yorick