Novel Beginnings: Experiments in Eighteenth-Century English FictionYale University Press, 1.10.2008 - 320 sivua In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course. |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 52
Sivu 6
... lack of social status accorded to most writers bore some relation to this fact . The old patronage system , slowly and at first partially , gave way to more direct methods of selling literature . “ Subscription ” provided one popular ...
... lack of social status accorded to most writers bore some relation to this fact . The old patronage system , slowly and at first partially , gave way to more direct methods of selling literature . “ Subscription ” provided one popular ...
Sivu 7
... lack dependable figures about the number of readers and writers in the seventeenth and eighteenth centuries . Historians agree , though , that the capacity to read and write ex- panded across social levels , creating a new audience , so ...
... lack dependable figures about the number of readers and writers in the seventeenth and eighteenth centuries . Historians agree , though , that the capacity to read and write ex- panded across social levels , creating a new audience , so ...
Sivu 15
... lack of predictability in the story's ordering . We expect the happy ending ( as I said before , the conclusion is implicit from the beginning ) , but we don't know how Christian will get to the end of his journey . The effective ...
... lack of predictability in the story's ordering . We expect the happy ending ( as I said before , the conclusion is implicit from the beginning ) , but we don't know how Christian will get to the end of his journey . The effective ...
Sivu 33
... lack Manley's political purpose adapt a less emphatic version of the fictional structure she employs . To group Manley's fictions with those of Jane Barker , Eliza Haywood , and Daniel Defoe , as this chapter does , under the rubric of ...
... lack Manley's political purpose adapt a less emphatic version of the fictional structure she employs . To group Manley's fictions with those of Jane Barker , Eliza Haywood , and Daniel Defoe , as this chapter does , under the rubric of ...
Sivu 36
... lack of explicit motive appears almost to constitute the story's point. The reader can interpret as she will. The same mixture of detailed physical specificity with lack of explana- tion marks many of the interpolated stories ...
... lack of explicit motive appears almost to constitute the story's point. The reader can interpret as she will. The same mixture of detailed physical specificity with lack of explana- tion marks many of the interpolated stories ...
Sisältö
28 | |
58 | |
4 Novels of Consciousness | 92 |
5 The Novel of Sentiment | 126 |
6 The Novel of Manners | 160 |
7 Gothic Fiction | 190 |
8 The Political Novel | 222 |
9 Tristram Shandy and the Development of the Novel | 254 |
What Came Next | 276 |
Suggestions for Further Reading | 286 |
Works Cited | 292 |
Index | 298 |
Muita painoksia - Näytä kaikki
Novel Beginnings: Experiments in Eighteenth-Century English Fiction Patricia Meyer Spacks Rajoitettu esikatselu - 2008 |
Novel Beginnings: Experiments in Eighteenth-century English Fiction Patricia Ann Meyer Spacks Esikatselu ei käytettävissä - 2006 |
Yleiset termit ja lausekkeet
action adventure appears behavior Caleb Williams calls attention Camilla century chapter characters claims Clarissa concern consciousness conventions conveys crucial David Simple death declares Defoe despite eighteenth eighteenth-century fiction elaborate Eliza Haywood Emma emotional episodes epistolary novel Evelina experience fact Falkland father feeling female Fielding's first-person narrative Gothic Gothic fiction Gothic novels happenings Haywood Hermsprong heroine human Humphry Clinker husband imagined important individual insists Jones kind lack Lady letters literary Lord Elmwood Lord Orville Love in Excess lover Manley marriage marry Matilda means mind Miss Moll Flanders moral mother narrative narrator narrator's nature novel of development novelists offers Pamela pleasure plot political possibility protagonist provides psychological reader reading realism response Richardson Robinson Crusoe romance Roxana Sarah Fielding sense sensibility sentimental fiction sentimental novels servant sexual Sidney Bidulph social story structure sublime suffering suggests tells tion Tom Jones Tristram Shandy virtue women writers Yorick