Novel Beginnings: Experiments in Eighteenth-Century English FictionYale University Press, 1.10.2008 - 320 sivua In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course. |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 91
Sivu 4
... narratives of literary history — like , indeed , all stories — my story will necessarily flatten some of actuality's ... narrative dexterity exemplified in the work of almost forgotten writ- ers as well as in that of their better - known ...
... narratives of literary history — like , indeed , all stories — my story will necessarily flatten some of actuality's ... narrative dexterity exemplified in the work of almost forgotten writ- ers as well as in that of their better - known ...
Sivu 12
... narratives of Henry Fielding, the psychological concentration of Samuel Richardson, the amatory fictions of Eliza ... narrative experiments. Despite their varied ap- proaches, most of the novelists here to be considered shared new ...
... narratives of Henry Fielding, the psychological concentration of Samuel Richardson, the amatory fictions of Eliza ... narrative experiments. Despite their varied ap- proaches, most of the novelists here to be considered shared new ...
Sivu 15
... narrative structure of Pilgrim's Progress ap- pears hardly a product of the writer's devising , so much does it reflect and logically contain the story , that structure carries its own cumulative effect . The work's protagonist ...
... narrative structure of Pilgrim's Progress ap- pears hardly a product of the writer's devising , so much does it reflect and logically contain the story , that structure carries its own cumulative effect . The work's protagonist ...
Sivu 16
... narrative consistently emphasizes this fact . In all these respects - physical prowess and beauty , impeccable behavior , chivalric honor — he epitomizes the romance hero . Because of his high rank , but also , finally , because of his ...
... narrative consistently emphasizes this fact . In all these respects - physical prowess and beauty , impeccable behavior , chivalric honor — he epitomizes the romance hero . Because of his high rank , but also , finally , because of his ...
Sivu 18
... narrative of Clarissa's dying . Yet these dreary communications crucially involve the reader in the frustration Clarissa feels in her losing game with death , as she tries to reconcile with her family , thwarted at every turn by Brand's ...
... narrative of Clarissa's dying . Yet these dreary communications crucially involve the reader in the frustration Clarissa feels in her losing game with death , as she tries to reconcile with her family , thwarted at every turn by Brand's ...
Sisältö
28 | |
58 | |
4 Novels of Consciousness | 92 |
5 The Novel of Sentiment | 126 |
6 The Novel of Manners | 160 |
7 Gothic Fiction | 190 |
8 The Political Novel | 222 |
9 Tristram Shandy and the Development of the Novel | 254 |
What Came Next | 276 |
Suggestions for Further Reading | 286 |
Works Cited | 292 |
Index | 298 |
Muita painoksia - Näytä kaikki
Novel Beginnings: Experiments in Eighteenth-Century English Fiction Patricia Meyer Spacks Rajoitettu esikatselu - 2008 |
Novel Beginnings: Experiments in Eighteenth-century English Fiction Patricia Ann Meyer Spacks Esikatselu ei käytettävissä - 2006 |
Yleiset termit ja lausekkeet
action adventure appears behavior Caleb Williams calls attention Camilla century chapter characters claims Clarissa concern consciousness conventions conveys crucial David Simple death declares Defoe despite eighteenth eighteenth-century fiction elaborate Eliza Haywood Emma emotional episodes epistolary novel Evelina experience fact Falkland father feeling female Fielding's first-person narrative Gothic Gothic fiction Gothic novels happenings Haywood Hermsprong heroine human Humphry Clinker husband imagined important individual insists Jones kind lack Lady letters literary Lord Elmwood Lord Orville Love in Excess lover Manley marriage marry Matilda means mind Miss Moll Flanders moral mother narrative narrator narrator's nature novel of development novelists offers Pamela pleasure plot political possibility protagonist provides psychological reader reading realism response Richardson Robinson Crusoe romance Roxana Sarah Fielding sense sensibility sentimental fiction sentimental novels servant sexual Sidney Bidulph social story structure sublime suffering suggests tells tion Tom Jones Tristram Shandy virtue women writers Yorick