Novel Beginnings: Experiments in Eighteenth-Century English FictionYale University Press, 1.10.2008 - 320 sivua In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course. |
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Tulokset 1 - 5 kokonaismäärästä 48
Sivu 6
... relation to this fact . The old patronage system , slowly and at first partially , gave way to more direct methods of selling literature . “ Subscription ” provided one popular mode . Usually a stationer , or publisher ( 6 THE ...
... relation to this fact . The old patronage system , slowly and at first partially , gave way to more direct methods of selling literature . “ Subscription ” provided one popular mode . Usually a stationer , or publisher ( 6 THE ...
Sivu 10
... relation to marriage comes up almost obses- sively in the century's novels , which frequently concern themselves with domestic matters . Even in works by such writers as Tobias Smollett , who interests himself more in adventure than in ...
... relation to marriage comes up almost obses- sively in the century's novels , which frequently concern themselves with domestic matters . Even in works by such writers as Tobias Smollett , who interests himself more in adventure than in ...
Sivu 11
... relation to actual experience partly by insisting on the role of money in fictional experience . By late in the century , social questions about the distribution of money had become increasingly pressing . The rising tide of prosperity ...
... relation to actual experience partly by insisting on the role of money in fictional experience . By late in the century , social questions about the distribution of money had become increasingly pressing . The rising tide of prosperity ...
Sivu 21
... relation to our knowledge of what human beings are like and how they behave. In a “realistic” novel, as I have already pointed out, details of setting and social circumstance as well as character delineate a world that appears plausible ...
... relation to our knowledge of what human beings are like and how they behave. In a “realistic” novel, as I have already pointed out, details of setting and social circumstance as well as character delineate a world that appears plausible ...
Sivu 23
... relation to what has gone before . Eighteenth - century readers , sometimes not even aware that they were reading fiction , could refer to fewer precedents be- yond their own experience and that of their acquaintances . In the process ...
... relation to what has gone before . Eighteenth - century readers , sometimes not even aware that they were reading fiction , could refer to fewer precedents be- yond their own experience and that of their acquaintances . In the process ...
Sisältö
28 | |
58 | |
4 Novels of Consciousness | 92 |
5 The Novel of Sentiment | 126 |
6 The Novel of Manners | 160 |
7 Gothic Fiction | 190 |
8 The Political Novel | 222 |
9 Tristram Shandy and the Development of the Novel | 254 |
What Came Next | 276 |
Suggestions for Further Reading | 286 |
Works Cited | 292 |
Index | 298 |
Muita painoksia - Näytä kaikki
Novel Beginnings: Experiments in Eighteenth-Century English Fiction Patricia Meyer Spacks Rajoitettu esikatselu - 2008 |
Novel Beginnings: Experiments in Eighteenth-century English Fiction Patricia Ann Meyer Spacks Esikatselu ei käytettävissä - 2006 |
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action adventure appears behavior Caleb Williams calls attention Camilla century chapter characters claims Clarissa concern consciousness conventions conveys crucial David Simple death declares Defoe despite eighteenth eighteenth-century fiction elaborate Eliza Haywood Emma emotional episodes epistolary novel Evelina experience fact Falkland father feeling female Fielding's first-person narrative Gothic Gothic fiction Gothic novels happenings Haywood Hermsprong heroine human Humphry Clinker husband imagined important individual insists Jones kind lack Lady letters literary Lord Elmwood Lord Orville Love in Excess lover Manley marriage marry Matilda means mind Miss Moll Flanders moral mother narrative narrator narrator's nature novel of development novelists offers Pamela pleasure plot political possibility protagonist provides psychological reader reading realism response Richardson Robinson Crusoe romance Roxana Sarah Fielding sense sensibility sentimental fiction sentimental novels servant sexual Sidney Bidulph social story structure sublime suffering suggests tells tion Tom Jones Tristram Shandy virtue women writers Yorick