Novel Beginnings: Experiments in Eighteenth-Century English FictionYale University Press, 1.10.2008 - 320 sivua In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course. |
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Tulokset 1 - 5 kokonaismäärästä 43
Sivu 1
... responses. These conspicuous instances suggest that the novel — which hardly yet knew itself to be “the novel” —already engaged wide and enlarging attention. Robinson Crusoe, as even many children still know, narrates the vicis- situdes ...
... responses. These conspicuous instances suggest that the novel — which hardly yet knew itself to be “the novel” —already engaged wide and enlarging attention. Robinson Crusoe, as even many children still know, narrates the vicis- situdes ...
Sivu 24
... responses to the developing genre. Yet how these novels are read and are to be read matters as much as how they are written — matters perhaps even more as we think about them now. The situation of the twenty-first-century reader makes ...
... responses to the developing genre. Yet how these novels are read and are to be read matters as much as how they are written — matters perhaps even more as we think about them now. The situation of the twenty-first-century reader makes ...
Sivu 27
... responses to narrative problems. Inasmuch as they offer solutions to such problems, they provide a resource for subsequent novelists to draw on. The subgenres that I allude to consist of clusters of conventions, gradually developed or ...
... responses to narrative problems. Inasmuch as they offer solutions to such problems, they provide a resource for subsequent novelists to draw on. The subgenres that I allude to consist of clusters of conventions, gradually developed or ...
Sivu 47
... response to the excitement of Roxana's experience . Then , suddenly , Roxana finds herself in an ethical swamp ; and the reader , having participated imaginatively in her fantasies , is likewise implicated in moral discomfort . The life ...
... response to the excitement of Roxana's experience . Then , suddenly , Roxana finds herself in an ethical swamp ; and the reader , having participated imaginatively in her fantasies , is likewise implicated in moral discomfort . The life ...
Sivu 48
... responses to their lives ' occurrences , his fiction bears a comprehensible connection to later novels likely to be familiar to modern readers . Defoe , however , was not alone in writing extended fictions during the 1720s , nor was ...
... responses to their lives ' occurrences , his fiction bears a comprehensible connection to later novels likely to be familiar to modern readers . Defoe , however , was not alone in writing extended fictions during the 1720s , nor was ...
Sisältö
28 | |
58 | |
4 Novels of Consciousness | 92 |
5 The Novel of Sentiment | 126 |
6 The Novel of Manners | 160 |
7 Gothic Fiction | 190 |
8 The Political Novel | 222 |
9 Tristram Shandy and the Development of the Novel | 254 |
What Came Next | 276 |
Suggestions for Further Reading | 286 |
Works Cited | 292 |
Index | 298 |
Muita painoksia - Näytä kaikki
Novel Beginnings: Experiments in Eighteenth-Century English Fiction Patricia Meyer Spacks Rajoitettu esikatselu - 2008 |
Novel Beginnings: Experiments in Eighteenth-century English Fiction Patricia Ann Meyer Spacks Esikatselu ei käytettävissä - 2006 |
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action adventure appears behavior Caleb Williams calls attention Camilla century chapter characters claims Clarissa concern consciousness conventions conveys crucial David Simple death declares Defoe despite eighteenth eighteenth-century fiction elaborate Eliza Haywood Emma emotional episodes epistolary novel Evelina experience fact Falkland father feeling female Fielding's first-person narrative Gothic Gothic fiction Gothic novels happenings Haywood Hermsprong heroine human Humphry Clinker husband imagined important individual insists Jones kind lack Lady letters literary Lord Elmwood Lord Orville Love in Excess lover Manley marriage marry Matilda means mind Miss Moll Flanders moral mother narrative narrator narrator's nature novel of development novelists offers Pamela pleasure plot political possibility protagonist provides psychological reader reading realism response Richardson Robinson Crusoe romance Roxana Sarah Fielding sense sensibility sentimental fiction sentimental novels servant sexual Sidney Bidulph social story structure sublime suffering suggests tells tion Tom Jones Tristram Shandy virtue women writers Yorick