Novel Beginnings: Experiments in Eighteenth-Century English FictionYale University Press, 1.10.2008 - 320 sivua In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course. |
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Tulokset 1 - 5 kokonaismäärästä 72
Sivu 1
... writers paid lip service to the classic ideal that literature must both please and instruct, they increasingly emphasized the first of these goals even while proclaiming allegiance to the second. They often stressed also their claims to ...
... writers paid lip service to the classic ideal that literature must both please and instruct, they increasingly emphasized the first of these goals even while proclaiming allegiance to the second. They often stressed also their claims to ...
Sivu 2
... writers as Daniel Defoe began to organize fictions around the careers of imagined working-class or middle- class characters — not Everyman or Everywoman or, like John Bunyan in Pilgrim's Progress, Christian Man; not, like Aphra Behn in ...
... writers as Daniel Defoe began to organize fictions around the careers of imagined working-class or middle- class characters — not Everyman or Everywoman or, like John Bunyan in Pilgrim's Progress, Christian Man; not, like Aphra Behn in ...
Sivu 4
... writers . Approaching these novels from a new angle , I hope to recapture the multiplicity of eighteenth - century fiction , partly by bracket- ing the issue of realism and making an effort to start anew . I propose , in other words ...
... writers . Approaching these novels from a new angle , I hope to recapture the multiplicity of eighteenth - century fiction , partly by bracket- ing the issue of realism and making an effort to start anew . I propose , in other words ...
Sivu 5
... writers considered as a group. Such criticism has helped to create a situation in which it becomes possible to think about the way that men and women simultaneously shaped the course of English fiction. First, though, something about ...
... writers considered as a group. Such criticism has helped to create a situation in which it becomes possible to think about the way that men and women simultaneously shaped the course of English fiction. First, though, something about ...
Sivu 6
... writers might be tempted to flattery as a mode of livelihood . The lack of social status accorded to most writers bore some relation to this fact . The old patronage system , slowly and at first partially , gave way to more direct ...
... writers might be tempted to flattery as a mode of livelihood . The lack of social status accorded to most writers bore some relation to this fact . The old patronage system , slowly and at first partially , gave way to more direct ...
Sisältö
28 | |
58 | |
4 Novels of Consciousness | 92 |
5 The Novel of Sentiment | 126 |
6 The Novel of Manners | 160 |
7 Gothic Fiction | 190 |
8 The Political Novel | 222 |
9 Tristram Shandy and the Development of the Novel | 254 |
What Came Next | 276 |
Suggestions for Further Reading | 286 |
Works Cited | 292 |
Index | 298 |
Muita painoksia - Näytä kaikki
Novel Beginnings: Experiments in Eighteenth-Century English Fiction Patricia Meyer Spacks Rajoitettu esikatselu - 2008 |
Novel Beginnings: Experiments in Eighteenth-century English Fiction Patricia Ann Meyer Spacks Esikatselu ei käytettävissä - 2006 |
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action adventure appears behavior Caleb Williams calls attention Camilla century chapter characters claims Clarissa concern consciousness conventions conveys crucial David Simple death declares Defoe despite eighteenth eighteenth-century fiction elaborate Eliza Haywood Emma emotional episodes epistolary novel Evelina experience fact Falkland father feeling female Fielding's first-person narrative Gothic Gothic fiction Gothic novels happenings Haywood Hermsprong heroine human Humphry Clinker husband imagined important individual insists Jones kind lack Lady letters literary Lord Elmwood Lord Orville Love in Excess lover Manley marriage marry Matilda means mind Miss Moll Flanders moral mother narrative narrator narrator's nature novel of development novelists offers Pamela pleasure plot political possibility protagonist provides psychological reader reading realism response Richardson Robinson Crusoe romance Roxana Sarah Fielding sense sensibility sentimental fiction sentimental novels servant sexual Sidney Bidulph social story structure sublime suffering suggests tells tion Tom Jones Tristram Shandy virtue women writers Yorick