Specimens of Modern English Literary CriticismWilliam Tenney Brewster Macmillan, 1907 - 379 sivua |
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Tulokset 1 - 5 kokonaismäärästä 74
Sivu vii
... Prose . PAGE · ix I I 45 ཨོཾ ཙ 16 60 · · 80+ · III 126 181 202 · IO . CHARLES LAMB : On the Tragedies of Shakespeare · · 220 II . HENRY JAMES : The Art of Fiction · 12. EDGAR ALLAN POE : The Philosophy of Composition 13. MATTHEW ARNOLD ...
... Prose . PAGE · ix I I 45 ཨོཾ ཙ 16 60 · · 80+ · III 126 181 202 · IO . CHARLES LAMB : On the Tragedies of Shakespeare · · 220 II . HENRY JAMES : The Art of Fiction · 12. EDGAR ALLAN POE : The Philosophy of Composition 13. MATTHEW ARNOLD ...
Sivu xv
... prose . The object of the process is to approximate some reality underlying these institutions . Truth , that is what criticism is seeking . Criticism , then , like truth , may be classified according to the material with which it deals ...
... prose . The object of the process is to approximate some reality underlying these institutions . Truth , that is what criticism is seeking . Criticism , then , like truth , may be classified according to the material with which it deals ...
Sivu xvii
William Tenney Brewster. elegiac , lyric poetry , etc. , and , in prose , such things as the essay and the novel . It is the ... Prose Works , Vol . IV . 2 A Shadow of Dante . tion is much more a matter of creation than of INTRODUCTION xvii.
William Tenney Brewster. elegiac , lyric poetry , etc. , and , in prose , such things as the essay and the novel . It is the ... Prose Works , Vol . IV . 2 A Shadow of Dante . tion is much more a matter of creation than of INTRODUCTION xvii.
Sivu xxvii
William Tenney Brewster. substance , in short , is , as in any prose work , the first thing to be taken into consideration by the student . The point of view of the writer , that is to say , the kind of proof that he uses in support of ...
William Tenney Brewster. substance , in short , is , as in any prose work , the first thing to be taken into consideration by the student . The point of view of the writer , that is to say , the kind of proof that he uses in support of ...
Sivu xxxi
... II ; Wordsworth , Tennyson , and Browning ; or Pure , Ornate , and Grotesque Art in Poetry . Cf. G. R. Carpenter and W. T. Brewster , Modern English Prose . George Eliot , and such writers , where they are INTRODUCTION xxxi.
... II ; Wordsworth , Tennyson , and Browning ; or Pure , Ornate , and Grotesque Art in Poetry . Cf. G. R. Carpenter and W. T. Brewster , Modern English Prose . George Eliot , and such writers , where they are INTRODUCTION xxxi.
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
admiration alliteration Arnold artistic beauty Besant better called Canterbury Tales character Chaucer classic Coleridge Cowley Dickens Dickens's distinction Dryden Edgar Poe effect English essay estimate example expression eyes fact faculty fancy feeling fiction genius George Eliot give human idea imagination impression intellectual interest John Ruskin judgment kind language less literary criticism literature living manner matter means metaphysical poets Milton mind modern moral nature never Nevermore novel object opinion Ovid passion peculiar perfect perhaps Petrarch philosophical Pickwick Papers pleasure Poe's poem poet poetic poetry principle prose question Quincey Quincey's reader reason regard Robert Montgomery Ruskin seems sense Shakespeare sort soul sound speak spirit stanza story style Suspiria Swift taste things thou thought tion true truth Ulalume Venus and Adonis verse Virgil whole words Wordsworth writing
Suositut otteet
Sivu 267 - Take thy beak from out my heart, and take thy form from off my door!
Sivu 266 - Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning — little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door — Bird or beast upon the sculptured bust above his chamber door, With such name as
Sivu 300 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities : of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Sivu 289 - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
Sivu 145 - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.
Sivu 59 - To move, but doth if th' other do. And, though it in the centre sit, Yet, when the other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must Like th
Sivu 146 - Banners yellow, glorious, golden, On its roof did float and flow (This — all this — was in the olden Time long ago), And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away.
Sivu 303 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom. The mortal moon hath her eclipse endured And the sad augurs mock their own presage; Incertainties now crown themselves assured And peace proclaims olives of endless age.
Sivu 290 - Had we never loved sae kindly, Had we never loved sae blindly, Never met, or never parted, We had ne'er been broken-hearted.
Sivu 285 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...