Dryden's Final Poetic Mode: The FablesUniversity of Pennsylvania Press, 1988 - 239 sivua Two months before he died, Dryden published a collection of verse translations and original poetry, Fables Ancient and Modern, the work for which he was most admired throughout the eighteenth and nineteenth centuries. Cedric Reverand argues that Fables, which has for the most part escaped modern scrutiny, embodies a purposeful, subversive strategy, and constitutes a new poetic mode that emerged when the laureate, public spokesman for king and country, lost his official post and became an outcast, a minority voice. In Dryden's Final Poetic Mode, Reverand focuses on Dryden's characteristic concerns--love and war, power and kingship, the heroic code, the Christian ideal--tracing how Dryden assembles informing ideals and yet dissolves them as well. By examining Dryden's treatment of familiar issues, Reverand demonstrates that this final poetic mode is not discontinuous with the earlier poetry bill is a further development, a reevaluation of the principles that sustained the poet throughout his career. Fables expresses Dryden's personal experience dealing with a changed and changing world. With the values he cherished crumbling, he is trapped into trying to reconcile the irreconcilable. His book reveals the fragility of various systems of value and the futility of discovering abiding ideals in a universe of perpetual flux, but it also reveals a poet who actively pursues meaning rather than surrendering to despair. It is this attempt to accommodate to a changing, subversive world that Reverand asserts is the impulse behind Fables and the central issue of Dryden's life in the1690s. Dryden's Final Poetic Mode will interest students and scholars of seventeenth- and eighteenth-century British literature. |
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... Achilles . Instead of being a warrior properly awed by a god , he appears more the bully , somebody who thinks in terms of power and will alter his course only when a superior power tames him ; when this one arrives , Achilles is ...
... Achilles ' pride in his strength by telling him that his power is not his own ; Dryden's Aga- memnon , however , points out something else , that Achilles ' strength is bestial . When several lines later we discover the hero who ...
... Achilles ' victory is ironic , for this is Achilles ' story too . " The Ter- ror of the Trojan Field ” ( 812 ) is reduced to “ small Remains / A little Urn , . . . scarcely fill'd , contains " ( 816–17 ; Dryden takes the rhyme and most ...
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The AntiHeroic Fables II | 11 |
The Twelfth Book of Ovid His Metamorphoses | 23 |
The Wife of Bath Her Tale | 43 |
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