Dryden's Final Poetic Mode: The FablesUniversity of Pennsylvania Press, 1988 - 239 sivua Two months before he died, Dryden published a collection of verse translations and original poetry, Fables Ancient and Modern, the work for which he was most admired throughout the eighteenth and nineteenth centuries. Cedric Reverand argues that Fables, which has for the most part escaped modern scrutiny, embodies a purposeful, subversive strategy, and constitutes a new poetic mode that emerged when the laureate, public spokesman for king and country, lost his official post and became an outcast, a minority voice. In Dryden's Final Poetic Mode, Reverand focuses on Dryden's characteristic concerns--love and war, power and kingship, the heroic code, the Christian ideal--tracing how Dryden assembles informing ideals and yet dissolves them as well. By examining Dryden's treatment of familiar issues, Reverand demonstrates that this final poetic mode is not discontinuous with the earlier poetry bill is a further development, a reevaluation of the principles that sustained the poet throughout his career. Fables expresses Dryden's personal experience dealing with a changed and changing world. With the values he cherished crumbling, he is trapped into trying to reconcile the irreconcilable. His book reveals the fragility of various systems of value and the futility of discovering abiding ideals in a universe of perpetual flux, but it also reveals a poet who actively pursues meaning rather than surrendering to despair. It is this attempt to accommodate to a changing, subversive world that Reverand asserts is the impulse behind Fables and the central issue of Dryden's life in the1690s. Dryden's Final Poetic Mode will interest students and scholars of seventeenth- and eighteenth-century British literature. |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 14
... authority in marriage , with male - chauvinist Jove insist- ing that " no Wife / Has Pow'r to regulate her Husband's Life " ( 735-36 ) , and shrewish Juno complaining because in this marriage " The Consort never must the Council share ...
... authority , and even justifying her taking the initiative with Guiscardo as an act appropriate to “ a person conscious of his or her greatness of soul ” ( 447 ) . Sloman's own positive response to Sigismonda's claims suggests that the ...
... authority and about the virtue of his calling as a poet . In this universe , inversions are so persistent that they beset a host of familiar issues , including many of Dryden's own beliefs . When the cock gives in to such flattery , it ...
Sisältö
The AntiHeroic Fables II | 11 |
The Twelfth Book of Ovid His Metamorphoses | 23 |
The Wife of Bath Her Tale | 43 |
Tekijänoikeudet | |
10 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Viitteet tähän teokseen
Books and Readers in Early Modern England: Material Studies Jennifer Andersen,Elizabeth Sauer Rajoitettu esikatselu - 2002 |
The English Fable: Aesop and Literary Culture, 1651-1740 Jayne Elizabeth Lewis Rajoitettu esikatselu - 1996 |