Shakespeariana; a critical and contemporary review of Shakespearian literature, Nide 5L. Scott Publishing Company, 1888 |
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Tulokset 1 - 5 kokonaismäärästä 47
Sivu 6
... opera ; may be said to have fur- nished the connecting link between the old - fashioned miracle plays , with occasional introductions of music , and the opera in its fully developed form ; in which , by the way , Cupid and the Furies ...
... opera ; may be said to have fur- nished the connecting link between the old - fashioned miracle plays , with occasional introductions of music , and the opera in its fully developed form ; in which , by the way , Cupid and the Furies ...
Sivu 7
... operas of the eighteenth century . The following is the melancholy tune to " How should I your true love know : - p 1. How should I your true love know - From an - o- ther one ? By his cock - le hat and staff , And his san - dal shoon ...
... operas of the eighteenth century . The following is the melancholy tune to " How should I your true love know : - p 1. How should I your true love know - From an - o- ther one ? By his cock - le hat and staff , And his san - dal shoon ...
Sivu 8
... opera by Mr. Shadwell ; having all New in it ; as Scenes , Machines ; particularly , one scene Painted with Myriads of Ariel Spirits ; and another flying away , with a Table Furnisht out with Fruits , Sweet Meats , and all sorts of ...
... opera by Mr. Shadwell ; having all New in it ; as Scenes , Machines ; particularly , one scene Painted with Myriads of Ariel Spirits ; and another flying away , with a Table Furnisht out with Fruits , Sweet Meats , and all sorts of ...
Sivu 9
... . This Tempest music was written to Dryden's and Davenant's version and produced as an opera at the Duke's Theatre , in Dorset Gardens , in 1690 . Christopher Smith , Handel's pupil and friend , attempted music Shakespeare Music . 9.
... . This Tempest music was written to Dryden's and Davenant's version and produced as an opera at the Duke's Theatre , in Dorset Gardens , in 1690 . Christopher Smith , Handel's pupil and friend , attempted music Shakespeare Music . 9.
Sivu 10
Christopher Smith , Handel's pupil and friend , attempted music to an opera adapted from Shakespeare's text . The best thing in it was the song , " Full Fadom Five thy Father Lies , " which for a long time was sung in preference to ...
Christopher Smith , Handel's pupil and friend , attempted music to an opera adapted from Shakespeare's text . The best thing in it was the song , " Full Fadom Five thy Father Lies , " which for a long time was sung in preference to ...
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acted actor agate lines appeared authorship Bacon Baconian Baconian theory Ben Jonson cents century character cipher Class collection comedy copy criticism Cymbeline Donnelly Donnelly's drama dramatist edition editor England English essay Falstaff Folio Garrick genius give given Hamlet Henry VIII interest Irving John Jonson Julius Cæsar King Lear LEONARD SCOTT PUBLICATION letter Library literary literature London Macbeth Merchant of Venice Merry Wives Midsummer-Night's Dream mind Miss nature notes opera original Othello overture paper passage performance Petruchio Philadelphia poems poet portrait present printed published quarto Queen reprint Richard Richard III Romeo and Juliet says scene seems Shake Shakespeare Club Shakespeare Society Shakespeare's plays Shakespearian Shakspere Shrew songs Sonnet speare stage Stratford Taming Tempest Theatre thought tion title-page tragedy translation Twelfth Night verses volume Warwickshire William Shakespeare words write written wrote York
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Sivu 134 - Methinks I should know you, and know this man; Yet I am doubtful; for I am mainly ignorant What place this is; and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For (as I am a man) I think this lady To be my child Cordelia.
Sivu 277 - Muses' anvil, turn the same (And himself with it) that he thinks to frame, Or for the laurel he may gain a scorn, For a good poet's made as well as born; And such wert thou. Look how the father's face Lives in his issue; even so, the race Of Shakespeare's mind and manners brightly shines In his well-turned and true-filed lines, In each of which he seems to shake a lance, As brandished at the eyes of ignorance.
Sivu 356 - Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Sivu 392 - I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape ; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me...
Sivu 203 - He was a scholar, and a ripe and good one; Exceeding wise, fair spoken, and persuading : Lofty and sour to them that loved him not ; But, to those men that sought him, sweet as summer. And though he were unsatisfied in getting (Which was a sin), yet, in bestowing, madam, He was most princely...
Sivu 423 - d, short-jointed, fetlocks shag and long, Broad breast, full eye, small head, and nostril wide, High crest, short ears, straight legs and passing strong, Thin mane, thick tail, broad buttock, tender hide: Look what a horse should have he did not lack, Save a proud rider on so proud a back.
Sivu 394 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all...
Sivu 204 - One of which fell with him, Unwilling to outlive the good that did it; The other, though unfinished, yet so famous, So excellent in art, and still so rising, That Christendom shall ever speak his virtue. His overthrow heap'd happiness upon him; For then, and not till then, he felt himself, And found the blessedness of being little: And, to add greater honours to- his age Than man could give him, he died, fearing God.