Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
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Tulokset 1 - 3 kokonaismäärästä 5
Sivu 70
... Cummings . Having resided for many years in Paris since 1920 , Cummings inevitably picked up the free typographical style prevalent in Parisian literary circles . He thereafter fashioned the style into a more personal , unorthodox , and ...
... Cummings . Having resided for many years in Paris since 1920 , Cummings inevitably picked up the free typographical style prevalent in Parisian literary circles . He thereafter fashioned the style into a more personal , unorthodox , and ...
Sivu 71
... Cummings tries to he writes the passage as he does . . . to show that the wheeling of the pigeons and their sprinkling with sunlight were simultaneous events , simultaneously perceived . Normal writing destroys that simul- taneity by ...
... Cummings tries to he writes the passage as he does . . . to show that the wheeling of the pigeons and their sprinkling with sunlight were simultaneous events , simultaneously perceived . Normal writing destroys that simul- taneity by ...
Sivu 72
... Cummings ' use of unorthodox typography , but these distinctions would not tell much more about the calligraphic poetry of either of them . From Apollinaire to Cummings is not a straight line of influence and development . Cummings was ...
... Cummings ' use of unorthodox typography , but these distinctions would not tell much more about the calligraphic poetry of either of them . From Apollinaire to Cummings is not a straight line of influence and development . Cummings was ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York