Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
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Tulokset 1 - 3 kokonaismäärästä 42
Sivu vii
... CENTURY 16 IV . ENGLISH PATTERN POETRY IN THE SEVENTEENTH CENTURY 23 V. PATTERN POETRY IN THE EIGHTEENTH AND NINETEENTH CENTURIES 33 VI . RELEVANT NINETEENTH - CENTURY POETIC THEORY AND PRACTICE VII . THE TWENTIETH CENTURY : GUILLAUME ...
... CENTURY 16 IV . ENGLISH PATTERN POETRY IN THE SEVENTEENTH CENTURY 23 V. PATTERN POETRY IN THE EIGHTEENTH AND NINETEENTH CENTURIES 33 VI . RELEVANT NINETEENTH - CENTURY POETIC THEORY AND PRACTICE VII . THE TWENTIETH CENTURY : GUILLAUME ...
Sivu 23
... century became provoked enough to attack all contrivance in literature , even though some was redemptively ingenious and sincere or was more than contrivance when analyzed with any degree of perspective . To eighteenth - century critics ...
... century became provoked enough to attack all contrivance in literature , even though some was redemptively ingenious and sincere or was more than contrivance when analyzed with any degree of perspective . To eighteenth - century critics ...
Sivu 80
... CENTURY : DYLAN THOMAS In the preceding chapter , it has been shown that the Apollinairian tradition , through subtle and indirect influences , finally led to a noteworthy pattern poem : Hart Crane's " Lenses . " And it would seem that ...
... CENTURY : DYLAN THOMAS In the preceding chapter , it has been shown that the Apollinairian tradition , through subtle and indirect influences , finally led to a noteworthy pattern poem : Hart Crane's " Lenses . " And it would seem that ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York