Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 10
Sivu 3
... composed in the service of God , more painstaking skill and complexity in the lettering and ornamentation were indicative of a stronger piety and were greatly to be desired . The practice was taught and ex- ploited in all the monastic ...
... composed in the service of God , more painstaking skill and complexity in the lettering and ornamentation were indicative of a stronger piety and were greatly to be desired . The practice was taught and ex- ploited in all the monastic ...
Sivu 19
... composed within imitative external shapes Latin poems which retained the piety , but not the embellish- ments and acrostics , of the medieval carmina . later , Puttenham wrote The Arte , and a third influence , the Persian , began ...
... composed within imitative external shapes Latin poems which retained the piety , but not the embellish- ments and acrostics , of the medieval carmina . later , Puttenham wrote The Arte , and a third influence , the Persian , began ...
Sivu 116
... composed the technopaegnia , three of the poems do show a devotional affection for particular Greek gods to whom the verses are dedicated . Then , in contrast to the doubt- ful religious interests in the technopaegnia , the carmina ...
... composed the technopaegnia , three of the poems do show a devotional affection for particular Greek gods to whom the verses are dedicated . Then , in contrast to the doubt- ful religious interests in the technopaegnia , the carmina ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
6 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York