Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
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Tulokset 1 - 3 kokonaismäärästä 16
Sivu 41
... effects of poetry must in the end be con- veyed by typographical characteristics and must inevitably have their influence upon the visual appearance of the poem . In " Les Djinns " a visual effect was not primarily sought ; but , as a ...
... effects of poetry must in the end be con- veyed by typographical characteristics and must inevitably have their influence upon the visual appearance of the poem . In " Les Djinns " a visual effect was not primarily sought ; but , as a ...
Sivu 42
... effects were primarily to be sought . One was not the result of the other but rather an independent property of the poem . Independent visual effects were brought about by the abandonment of conventional stanzas and their uniform- ities ...
... effects were primarily to be sought . One was not the result of the other but rather an independent property of the poem . Independent visual effects were brought about by the abandonment of conventional stanzas and their uniform- ities ...
Sivu 78
... effects since Apollinaire , Crane came very close to the pattern poetry tradition ( especially to Pannard25 ) with his one poem . Perhaps the reason was that other poets had more interest in typography and therefore paid less attention ...
... effects since Apollinaire , Crane came very close to the pattern poetry tradition ( especially to Pannard25 ) with his one poem . Perhaps the reason was that other poets had more interest in typography and therefore paid less attention ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York