Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 7
Sivu 19
... emotive feeling in the lines and the external shape of the poems . In contrast , the technopaegnia contained no emotive force , and the carmina had only an over - all basic one -- religious fervor . If there was any variation in the ...
... emotive feeling in the lines and the external shape of the poems . In contrast , the technopaegnia contained no emotive force , and the carmina had only an over - all basic one -- religious fervor . If there was any variation in the ...
Sivu 28
... emotive feeling in the lines and external shape , and , with this correspondence ( and partially because of it ) , a more important conciliation of the absolute , emblematic faith within the new , subtle thought style of seventeenth ...
... emotive feeling in the lines and external shape , and , with this correspondence ( and partially because of it ) , a more important conciliation of the absolute , emblematic faith within the new , subtle thought style of seventeenth ...
Sivu 110
... emotive power that the above excerpts are designed verbally to con- vey , then shape will seem a natural and enriching complement to the verbal expression of the poem and not a supplementary decoration for it . To return to the original ...
... emotive power that the above excerpts are designed verbally to con- vey , then shape will seem a natural and enriching complement to the verbal expression of the poem and not a supplementary decoration for it . To return to the original ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
6 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York