Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
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Tulokset 1 - 3 kokonaismäärästä 7
Sivu 19
... emotive feeling in the lines and the external shape of the poems . In contrast , the technopaegnia contained no emotive force , and the carmina had only an over - all basic one -- religious fervor . If there was any variation in the ...
... emotive feeling in the lines and the external shape of the poems . In contrast , the technopaegnia contained no emotive force , and the carmina had only an over - all basic one -- religious fervor . If there was any variation in the ...
Sivu 28
... emotive feeling in the lines and external shape , and , with this correspondence ( and partially because of it ) , a more important conciliation of the absolute , emblematic faith within the new , subtle thought style of seventeenth ...
... emotive feeling in the lines and external shape , and , with this correspondence ( and partially because of it ) , a more important conciliation of the absolute , emblematic faith within the new , subtle thought style of seventeenth ...
Sivu 110
... emotive power that the above excerpts are designed verbally to con- vey , then shape will seem a natural and enriching complement to the verbal expression of the poem and not a supplementary decoration for it . To return to the original ...
... emotive power that the above excerpts are designed verbally to con- vey , then shape will seem a natural and enriching complement to the verbal expression of the poem and not a supplementary decoration for it . To return to the original ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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Yleiset termit ja lausekkeet
acrostics allegory altar appearance Appendix Arte of English aspects Biblical birth born Calligrammes calligraphic carmina quadrata century CHAPTER Christ contrivance Crucifixion cubist Cummings dark death Djinns Dosiadas Dylan Thomas E. E. Cummings earth Easter Wings effects eighteenth elements emblem England English pattern English Poesie evoke expression external shape Ezra Pound geometrical George Herbert George Puttenham George Wither Greek Anthology Guillaume Apollinaire Hart Crane heart bone Holz Holz's hourglass Hugo Ibid imagery influence jinns light lines literary literature lost lyric maidenhead medieval metaphysical poetry nature object pattern poems pattern poetry perhaps Persian pictorial poet poet's poetic Puttenham reality religious poets resurrection revival rhetorical movement Robert Herrick salvation secular seventeenth-century shaped verse Shattuck silhouette Simias Sonnets spiral of ascension spirit stanza style taste techniques technopaegnia theme third stanza thou thought trend typographical unchristened mountain Vision and Prayer visual William womb words wren Bone writing York