Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
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Tulokset 1 - 3 kokonaismäärästä 24
Sivu 34
... example also shows that the critical temper of his time was more against than for contrivance , so that a definite condemnation by two of the most regarded critics of the age -- Dryden and Addison -- was all that was needed to solidify ...
... example also shows that the critical temper of his time was more against than for contrivance , so that a definite condemnation by two of the most regarded critics of the age -- Dryden and Addison -- was all that was needed to solidify ...
Sivu 36
... example of the genre . This light - hearted use of the pattern was , of course , not new to the nineteenth century . In seventeenth - century England , Edward Benlowes had used shapes of frying pans and horse saddles , and in eighteenth ...
... example of the genre . This light - hearted use of the pattern was , of course , not new to the nineteenth century . In seventeenth - century England , Edward Benlowes had used shapes of frying pans and horse saddles , and in eighteenth ...
Sivu 65
... example of Apollinaire's ability to take a war image and , rather than exploit only its horror , place the image in a larger imaginative context where it can evoke the lyric and the pathetic . Again , it should be pointed out that ...
... example of Apollinaire's ability to take a war image and , rather than exploit only its horror , place the image in a larger imaginative context where it can evoke the lyric and the pathetic . Again , it should be pointed out that ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York