Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 2 kokonaismäärästä 2
Sivu 21
... hope , to answere the Lady Selamour . " " 7 One is inclined to believe Puttenham when he states , " I translated word for word and as neere as I could followed both the phrase and the figure . " 8 The Persian samples seem free of the ...
... hope , to answere the Lady Selamour . " " 7 One is inclined to believe Puttenham when he states , " I translated word for word and as neere as I could followed both the phrase and the figure . " 8 The Persian samples seem free of the ...
Sivu 30
... fulfills himself both as priest and as poet . I hope that both the correspondence between external shape and emotive feeling and the conciliation of the emblem attitude with subtle thought style have been illustrated by " 30.
... fulfills himself both as priest and as poet . I hope that both the correspondence between external shape and emotive feeling and the conciliation of the emblem attitude with subtle thought style have been illustrated by " 30.
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
6 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York