Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 13
Sivu 52
... interests . Nor did he lose faith in cubism ; his own poetry and " l'Esprit nouveau " in literature continually gained ... interest but whose order in relation to one another is not immutably fixed and therefore can be altered at will.13 ...
... interests . Nor did he lose faith in cubism ; his own poetry and " l'Esprit nouveau " in literature continually gained ... interest but whose order in relation to one another is not immutably fixed and therefore can be altered at will.13 ...
Sivu 69
... interest in the visual properties of his poetry , although he wrote no calligrammes outright : to Pound , as to ... interest in the visual properties of poetry did not cease . It expanded rather into an interest in the visual properties ...
... interest in the visual properties of his poetry , although he wrote no calligrammes outright : to Pound , as to ... interest in the visual properties of poetry did not cease . It expanded rather into an interest in the visual properties ...
Sivu 78
... interest in typography and therefore paid less attention to external pattern ; Crane , however , being a conservative in typographical practice , used only as much oddity as he thought his poetry needed to be communicable in its ...
... interest in typography and therefore paid less attention to external pattern ; Crane , however , being a conservative in typographical practice , used only as much oddity as he thought his poetry needed to be communicable in its ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
6 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York