Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
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Tulokset 1 - 3 kokonaismäärästä 15
Sivu 36
... light - hearted use of the pattern was , of course , not new to the nineteenth century . In seventeenth - century England , Edward Benlowes had used shapes of frying pans and horse saddles , and in eighteenth- century France , Charles ...
... light - hearted use of the pattern was , of course , not new to the nineteenth century . In seventeenth - century England , Edward Benlowes had used shapes of frying pans and horse saddles , and in eighteenth- century France , Charles ...
Sivu 106
... light of salvation . poet had said , " I Must lie Still as stone By the wren bone Wall " ; and so he hid himself and prayed fervently that the Child not be born . But , with the prayer over , he steps out into the open and is ...
... light of salvation . poet had said , " I Must lie Still as stone By the wren bone Wall " ; and so he hid himself and prayed fervently that the Child not be born . But , with the prayer over , he steps out into the open and is ...
Sivu 140
... light and lyric wit ; use of concrete objects as central vehicles for wit was ideal . In contrast , the Persian poets desired to create primarily physical gifts , actual rather than poetic baubles : " . . . any pretie conceit , they ...
... light and lyric wit ; use of concrete objects as central vehicles for wit was ideal . In contrast , the Persian poets desired to create primarily physical gifts , actual rather than poetic baubles : " . . . any pretie conceit , they ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York