Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
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Tulokset 1 - 3 kokonaismäärästä 20
Sivu 61
... meaning , but , by the superimposing of two of the senses , they are all shown seated , as it were , in the imagination of the poet himself . They are built into such a united , visually circular arrangement that one must feel that the ...
... meaning , but , by the superimposing of two of the senses , they are all shown seated , as it were , in the imagination of the poet himself . They are built into such a united , visually circular arrangement that one must feel that the ...
Sivu 62
... meaning as well . There are also poems of the postcard type which do not have a universal range . One entitled " Carte Postale , " for all its postmarks , is direct and specific in its meaning . Through it , Apollinaire with a wryness ...
... meaning as well . There are also poems of the postcard type which do not have a universal range . One entitled " Carte Postale , " for all its postmarks , is direct and specific in its meaning . Through it , Apollinaire with a wryness ...
Sivu 72
... meaning and tone upon visual appearance . Many dis- tinctions can be made between Apollinaire's and Cummings ' use of unorthodox typography , but these distinctions would not tell much more about the calligraphic poetry of either of ...
... meaning and tone upon visual appearance . Many dis- tinctions can be made between Apollinaire's and Cummings ' use of unorthodox typography , but these distinctions would not tell much more about the calligraphic poetry of either of ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York