Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 22
Sivu 38
... nature of the jinns . As the jinns and the poet's terror of them dominate the first half of the poem , so do the images appropriate to their nature . · However , in the ninth stanza , the turning point occurs . As the jinns are about to ...
... nature of the jinns . As the jinns and the poet's terror of them dominate the first half of the poem , so do the images appropriate to their nature . · However , in the ninth stanza , the turning point occurs . As the jinns are about to ...
Sivu 42
... natural " appearance as well as " natural " Both visual and auditory effects were primarily to be sought . One was not the result of the other but rather an independent property of the poem . Independent visual effects were brought ...
... natural " appearance as well as " natural " Both visual and auditory effects were primarily to be sought . One was not the result of the other but rather an independent property of the poem . Independent visual effects were brought ...
Sivu 54
... nature are necessary for the building of a new , cubist reality . Since Apollinaire loved both the old litera- ture and " l'Esprit nouveau , " he was able to accept them both . He meant to leave in its revered position the traditional ...
... nature are necessary for the building of a new , cubist reality . Since Apollinaire loved both the old litera- ture and " l'Esprit nouveau , " he was able to accept them both . He meant to leave in its revered position the traditional ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
6 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York