Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 16
Sivu 8
... technopaegnia . He did mention them in passing but always erroneously , as if his source had been highly exag- gerated or wholly false hearsay . Since Puttenham was known to be a scholar thoroughly grounded in Greek classics and was ...
... technopaegnia . He did mention them in passing but always erroneously , as if his source had been highly exag- gerated or wholly false hearsay . Since Puttenham was known to be a scholar thoroughly grounded in Greek classics and was ...
Sivu 18
... technopaegnia were a result and element of the rhetorical movement , the " Asiatic " or Sophistic style , that flourished in Alexandrian Greece ; and the carmina quad- rata were a result and element of the medieval rhetorical movement ...
... technopaegnia were a result and element of the rhetorical movement , the " Asiatic " or Sophistic style , that flourished in Alexandrian Greece ; and the carmina quad- rata were a result and element of the medieval rhetorical movement ...
Sivu 116
... technopaegnia came in the wake of the Sophists and were part of the " Asianic " style in later Greek literature . The carmina quadrata flourished during the medieval rhetorical movement under which the classic orators and Sophists were ...
... technopaegnia came in the wake of the Sophists and were part of the " Asianic " style in later Greek literature . The carmina quadrata flourished during the medieval rhetorical movement under which the classic orators and Sophists were ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York