Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 24
Sivu 42
... visual and auditory effects were primarily to be sought . One was not the result of the other but rather an independent property of the poem . Independent visual effects were brought about by the abandonment of conventional stanzas and ...
... visual and auditory effects were primarily to be sought . One was not the result of the other but rather an independent property of the poem . Independent visual effects were brought about by the abandonment of conventional stanzas and ...
Sivu 43
... visual arrangement of the poem on the page was independent of the rhythm , Holz regarded it as an influence upon the overall auditory effect ; the facilitation of the eye in reading was not its only function : The somewhat unusual press ...
... visual arrangement of the poem on the page was independent of the rhythm , Holz regarded it as an influence upon the overall auditory effect ; the facilitation of the eye in reading was not its only function : The somewhat unusual press ...
Sivu 69
... visual properties of his poetry , although he wrote no calligrammes outright : to Pound , as to Mallarmé , the visual appearance of his poems is of importance -- the space across which the poetic spark has to fly is an actual space on a ...
... visual properties of his poetry , although he wrote no calligrammes outright : to Pound , as to Mallarmé , the visual appearance of his poems is of importance -- the space across which the poetic spark has to fly is an actual space on a ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
6 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York